Showing posts with label Golden fluid acrylic. Show all posts
Showing posts with label Golden fluid acrylic. Show all posts

Sunday, December 29, 2013

Homemade Gelli

Gelli plates are all the rage right now, but they are a little too expensive for my pocketbook. Ole Santa didn't leave me enough after I paid for the gifts . So this is the method I chose.


I picked up an inexpensive ($5) covered 9x13 cake pan. The cover will help me store it without the risk of critters, dust, or bunneh hair falling into it.


I bought 2 4-pack boxes of Knox gelatin - $2 per pack. I bought 3 6-ounce bottles of plain glycerin. These are $3 apiece. My total investment was $16. For comparison, an authentic Gelli plate 12 x 14 inches is $70 retail.

The order of ingredients is important. Start by measuring out 2 cups of glycerin in a bowl. I used a plastic bowl, but glass would work too. Sprinkle 8 packets of gelatin over the glycerin and gently fold in so it has a chance to soften. Set aside.

Start some water to boil water. Pour 2 cups of boiling water gently into the glycerin/gelatin mix. Gently stir it until the gelatin is well distributed. How will you know? You won't have any loose water pooling on top of the mix. Next, carefully pour into your pan. You can use any shaped pan, and this amount with this pan yielded a half-inch thick piece of gelli.


Take a moment to remove the little bubbles. I just lightly touched the bubbles, and they either burst, or they attached themselves to my finger. This will be the BOTTOM of your gelatin plate, so I don't think it's critically important. Set it on a level shelf in your refrigerator, or if the weather's cold, set it outside. Make sure it's level and do NOT put the lid on it. You don't want to trap any condensation as it cools.

Gently loosen the gel from the edges of the pan, place a piece of sturdy material (glass, plexiglass, plastic, etc.) over the pan and invert the gelatin. If it doesn't come loose in quick fashion, you need to help it by lifting a corner free, then invert the pan again. Your gel plate is ready to play!

If you did what I did, you could end up with a tear. No worries. Cut it up and place it in a microwave safe bowl, heat until melted, then pour it back in the pan and repeat the process. You can also change it from rectangular to round by doing the same thing and using a different pan/mold. Also, this doesn't have an odor, and doesn't degrade or rot. It's very stable and needs no refrigeration.


Here are some of the first prints I pulled. I used Basics acrylic paint (Michael's artist paint), Golden fluid acrylics and cheap Apple Barrel acrylic paint. They all worked about the same. If you want more time to work, mix a little fluid medium into the paint before you put it on the plate. That extends the drying time.


I used a variety of tools on my plate. I wasn't gentle because I wanted to know what my plate could do. It is really tough, and holds up to poking and smooshing. That said, it's not going to hold up if you stab it with a palette knife, but you can go into it with catalyst-type tools - I used cut cardboard, a floor adhesive texture tool, masks, and a palette knife.

I used Strathmore Bristol vellum and Gina K Designs Pure Luxury papers to pull these prints. I don't see much difference between them, except the GKD paper has a smoother finish. The paint, however, adds texture making the beginning hand of the paper moot.


This is going to be an awesome tool. I'm probably not going to use it every day, which makes the cover that much more important. Also be aware that once you unmold it, it's a bit like pandora's box - you can't fit it back in the pan the same way it was before you unmolded it. I cleaned it with a baby wipe and water. The best way to clean it is to put paper on it then let it sit until the paint is completely dry. The residual paint will stick to your paper and come off all at once this way.

I hope this encourages you to give a cheap plate a try. It's really easy and works great. Most of all, get out there and PLAY! Leave a comment if you have any questions, and I'll do my best to answer.

Ta for now,
~ky

Friday, August 30, 2013

Go on - Be a DRIP

Hello! Today's mixed media challenge on Splitcoast Stampers (SCS) is to cake on any color medium and add water to make it drip and run. I started with the cast-off from a die I cut in ivory cardstock, added thick acrylic paint (Golden's fluid acrylics) with water to make it run down the cardstock. I cut the cast-off down to ATC size (2.5 inches by 3.5 inches).


I lined the cast-off with paper from My Mind's Eye Lost and Found Breeze so the sentiment would show. I punched a border from Bazzill cardstock for the top. The bottom is a composite of twine, MME patterned paper (same paper stack), metallic sequins (WalMart, custom colored with Adirondack alcohol inks), and Paper Studio rhinestones.


I hope you'll be inspired to create a little something before you get into full swing of celebrating the last of the summer days leading to autumn. Thanks for visiting!

Ta for now,
~ky

Friday, December 23, 2011

A little canvas

Hello again - it is so nice to be able to bring you some new bits and pieces more often. I hope my muse stays content with this for awhile longer. I have two things to share with you today - starting with a neutral base and creating a miniature collage suitable for accenting a journal page.

I began with a manila tag, the kind Tim Holtz uses for his 12 tags of Christmas each year.


My first step was to cover the tag with torn pages from an old novel. I used to have such a hard time ripping text from a perfectly good book, but then I realized I have 2 copies of a novel. I was not selective of what phrases or words showed on the surface, and I made sure to use multiple layers in some areas.


Next, I gave the trimmed, text-covered tag a watery wash of ivory and white paints. I am using a very inexpensive acrylic paint from Apple Barrel by Plaid. The goal is to tone down the text, provide some unification across the tag, and provide a base for inks.


I used my blending tool and almost all the seasonal colors of distress inks to 'paint' the tag over the acrylic. Be sure the paint is thoroughly dry before adding the distress ink.


I love the randomness and how the layers of text create wonderful texture. I sprinkled blots of water over the tag to give the ink more variety. Now, with the addition of the ink, we have moved from neutral background to the beginning of a miniature canvas.


I have a stash of catalogs, flyers, packaging and left over bits and pieces of other projects.


I arranged them on the tag, sewed part of it to the tag, the added some ribbon, a bit of fluid acrylic circles, and a few staples. I like how it came out. I hope it inspires you to get creative! See you again soon.

Ta!
♥ ~ky